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Gypsy roots, desert blues, bluegrass top world music

Indian artiste Anoushka Shankar, daughter of sitar player Ravi Shankar, performs in the eastern Indian city of Kolkata February 8, 2009. REUTERS/Jayanta Shaw

(Reuters) – Sitar player Anouska Shankar, whose album “Traveller” takes a journey through the music

of India and Spanish flamenco to explore their shared Gypsy roots, was named Best Artist in Songlines magazine’s annual

world music awards.

Indian artiste Anoushka

Shankar, daughter of sitar player Ravi Shankar, performs in the eastern Indian city of Kolkata February 8, 2009.

REUTERS/Jayanta Shaw

At a time of political unrest in Mali, artists from there took two awards – veteran

Sahara Desert bluesmen Tinariwen were named as Best Group while their young compatriot Fatoumata Diawara was Best

Newcomer.

Best Cross-Cultural Collaboration went to renowned American cellist Yo-Yo Ma and his fellow musicians Stuart

Duncan, Edgar Meyer and Chris Thile, who combine classical and bluegrass music on “The Goat Rodeo Sessions.”

Shankar

is the daughter of legendary sitar player Ravi Shankar and the half-sister of Norah Jones. For “Traveller she teamed up with

the in-demand Spanish producer Javier Limon, Indian singer Shubha Mudgal, guitarist Pepe Habichuela and singer Buika among

others, mixing ragas with flamenco rhythmns.

“She’s an amazing sitar player and a heritage you can’t beat. She’s

done classical sitar — she’s one of the best,” Songlines publisher Simon Broughton told Reuters. “There’s a link between

Indian music and flamenco because of the gypsies, who originated in India, and that’s what she’s exploring. They have made

something very special”.

Tinariwen, a band of guitar-playing Tuareg, have enjoyed huge success since they emerged from

the desert sands to world stages a decade ago. Supporters of an independent Tuareg state, the current strife in Mali has

given their music a new topicality.

“They’ve taken African music to a whole new audience. And now this whole desert

story, which we thought was history, is now very much a reality,” Broughton said.

For their album “Tassili,” they

swapped their electric guitars for acoustic instruments.

“It’s very laid back…an around the campfire session, very

chilled out. You really get the feeling of community from it.”

Newcomer Fatoumata Diawara meanwhile has been

delighting audiences across Europe in the past year while her debut album “Fatou” has been a best seller. At a show at

London’s Jazz Café in November, even the waitress jumped up on stage to dance.

“Mali is a hot spot of great music,”

Broughton said. “She is a very engaging singer. She’s an important new voice on the scene. She’s popping up at all the

festivals.”

Ma has often crossed musical frontiers, exploring tango, Brazilian and Asian themes in the past. On his

latest venture , he and his cohorts blend classical with the banjos and mandolins of bluegrass for an album which, Broughton

said, “never loses its sense of adventure.”>>

(Reporting by Angus MacSwan; Editing by Paul Casciato)